Ok

En poursuivant votre navigation sur ce site, vous acceptez l'utilisation de cookies. Ces derniers assurent le bon fonctionnement de nos services. En savoir plus.

lundi, 04 mai 2015

Sopravvivere al collasso economico

20:40 Publié dans Evénement | Lien permanent | Commentaires (0) | Tags : pietro san giorgio, événement, italie, rome, casa pound | |  del.icio.us | | Digg! Digg |  Facebook

Du Cercle Proudhon au dîner du CRIF

20:38 Publié dans Evénement | Lien permanent | Commentaires (0) | Tags : événement, nantes, france, cercle proudhon | |  del.icio.us | | Digg! Digg |  Facebook

Presseschau - Mai 2015

zeitungslesertttttyyy.jpg

Presseschau
Mai 2015
 
 

The Saudi 9/11 Cover-Up

SAUDI-ARABIA-ARTICLE-SIZE.jpg

The Saudi 9/11 Cover-Up

By

Ora.Tv

Ex: http://www.lewrockwell.com

The Bill Hillary and Chelsea Clinton Foundation has taken millions of dollars from foreign governments attempting to buy influence with a woman who might be the next president.

The $2 million contribution from Saudi Arabia, however, is the most troubling.  Putting aside that the Saudi’s oppress women, denying them the most basic human rights, the self styled “women’s advocate’ should still return that cash.  Money from foreign nationals and foreign governments is illegal in US political campaigns.  So the Saudis are using their petro-dollars to buy future influence.

It is worth taking a moment to examine how the Saudi’s have used their vast wealth to effect US foreign policy and have used their influence to hide the facts about the Saudi’s actual role in the events of 9/11 from the American people.  In fact, the Saudis have used their power and influence to cover-up their involvement in the greatest terrorist attack in US history and continue to do so today.

In fact, the Saudis have used their power and influence to cover-up their involvement in the greatest terrorist attack in US history and continue to do so today.

As many American’s know, at least 11 members of the Bin Laden Family were spirited out the country in 24 hours after the 9/11 attacks with the assistance of the George W. Bush Administration.  The FBI still denies knowing about the seven airplanes used to move the Bin Ladens out of the country when all private, commercial and military air-travel was grounded.

Prince Bandar bin Sultan bin Abdul Aziz, the Saudi Arabian ambassador to the United States, orchestrated the exodus of more than 140 Saudis scattered throughout the United States,  They included members of two families: one was the royal House of Saud, the family that ruled the kingdom of Saudi Arabia, perhaps the richest family in the world.  The other family was the Saud’s close allies, the Bin Ladens, who in addition to owning a multibillion-dollar construction company had produced the notorious terrorist Osama Bin Laden.

Yet none of those spirited out of the country were questioned nor was a list of those leaving supplied.  Dan Grossi, a former police officer recruited by the Tampa Police to escort the departing Saudis said he did not get the names of the Saudi he was escorting.  “It happened so fast,” Grossi says.  “I just knew they were Saudis.  They were well connected.  One of them told me his father or his uncle was good friends with George Bush Senior.”

The White House denied the flights even took place.  Officially, the FBI says it had nothing to do with the repatriation of the Saudis.  “I can say unequivocally that the FBI had no role in facilitating these flights one way or another,” said FBI Special Agent John Iannerelli.”  Bandar, however, characterized the role of the FBI very differently.  “With coordination with the FBI,” he said on CNN, “we got them all out.”

Among those hustled out of the country were Osama’s brother-in-law Mohammed Jamal Khalifa, thought by US Intelligence to be an important figure in Al Qaeda and connected to the men behind the 1993 World Trade Center bombing and to the October 2000 bombing of the USSCole.  Also in the traveling party was Khalil Bin Ladin, who boarded a plane in Orlando to leave the United States and was suspected by Brazilian Intelligence for possible terrorist connections.  According to the German wire service Deutsche Presse-Agentur, he had visited Belo Horizonte, Brazil which was a known center for training terrorists.  Neither was questioned before leaving the US.

The erudite, Western-educated and Saville Row tailored Prince Bandar was a influential figure in the world of Islam and the power circles of Washington.  His father, Defense Minister Prince Sultan, was second in line to the Saudi crown.  Bandar was the nephew of King Fahd, the aging Saudi monarch, and the grandson of the late king Abdul Aziz, the founder of modern Saudi Arabia.  So close to the Bush family was the Saudi Ambassador that Barbara Bush dubbed him “Bandar Bush.”

So close to the Bush family was the Saudi Ambassador that Barbara Bush dubbed him “Bandar Bush.”

The Bush and bin Laden families have long-standing business dealings.  These began in the late 1970’s when Sheik Mohammed bin Laden, the family patriarch and Osama’s father, had, through a friend of the Bush family named James R. Bath, invested $50,000 in Arbusto, the oil exploration company founded by George W. Bush with his father’s help.  The “investment” was arranged by James R. Bath, an aircraft broker who had emerged as an agent for the House of Saud in political and business circles.

Bush988599.jpg

In 1997, Prince Bandar gave $1 Million to the George Bush Presidential Library and Museum in College Station, Texas.  In 1989, King Fahd gave $1 Million to Barbara Bush’s campaign against illiteracy.  In 2002 Prince Alwaleed bin Talal gave $500,000 to Andover to fund a George Herbert Walker Bush scholarship.  In 2003, Prince Bandar gave a $1-Million oil painting of an American Buffalo hunt to President Bush for use in his presidential library after he leaves the White House.

On September 11, 2001, Shafiq Bin Laden, an “estranged” half-brother of Osama, invested an initial $38 million in the Carlyle Group in Washington, D.C. Carlyle is a $16 billion private equity firm that pays huge fees to “advisors” George H.W. Bush and former Secretary of State James Baker.

On September 11, 2001, Shafiq Bin Laden, an “estranged” half-brother of Osama, invested an initial $38 million in the Carlyle Group in Washington, D.C. Carlyle is a $16 billion private equity firm that pays huge fees to “advisors” George H.W. Bush and former Secretary of State James Baker.

After former president George H.W. Bush, James Baker, and former prime minister John Major of Great Britain visited Saudi Arabia on behalf of Carlyle, the Saudis increased their investment in the Carlyle Group to at least $80 million.

It’s therefore not surprising that the BBC reported that FBI agents in London were pulled off an investigation of Bin Laden family and Saudi royals soon after George W. Bush took office.  In addition to Osama Bin Laden, other members of the family had terrorists connections and were under investigation by FBI.

Of the 19 9/11hijackers, 14 were Saudi yet after the attack on American soil FBI Agent John O’Neill stated publicly he was blocked from investigating the Saudi connection for “political reasons.”  What political reasons are more important thanthe investigation of the World Trade Center destruction and the murder of 2000 Americans?

More recently, the New York Times and others have reported on an aborted investigation into Saudis who fled Florida two weeks before the 9/11 attack.  The investigation into the prominent Saudi family’s ties to the hijackers started on Sept. 19, 2001, and remained active for several years.  It was led by the FBI’s Tampa field office but included the bureau’s field offices in New York and Washington.

Incredibly, the FBI identified persons of interest, established their ties to other terrorists, sympathies with Osama bin Laden and anti-American remarks.  They examined their bank accounts, colleges and places of employment.  They tracked at least one suspect’s re-entry into the US.  Yet none of this was never shared with Congress or the 9/11 Commission.

Now it’s being whitewashed again, in a newly released report by the 9/11 Review Commission, set up last year by Congress to assess “any evidence now known to the FBI that was not considered by the 9/11 Commission.”  Though the FBI acknowledges the Saudi family in Florida was investigated, it maintains the probe was a ‘dead end.”

The9/11 review panel included one local FBI report from the Florida investigation that said Abdulaziz and Anoud al-Hijji, the prominent Saudi couple who “fled” their home, had “many connections” to “individuals associated with the terrorist attacks on 9/11/2001.”  The panel’s report also doesn’t explain why visitor security logs for the gated Sarasota community and photos of license tags matched vehicles driven by the hijackers, including 9/11 ringleader Mohamed Atta.

Former Florida Senator Bob Graham, former Chairman of the US Senate Intelligence Committee has publicly accused the FBI of a ‘cover-up” in the Florida case.  Graham said there was no evidence that the Bureau had ever disclosed the Florida investigation to his Committee or the 9/11 Commission, which delivered their report in 2004.

There are still 28 pages of the 9/11 report regarding the Saudis that remain classified and were redacted, wholesale, by President George W. Bush.  After reading it, Congressman Thomas Massie described the experience as “disturbing” and said, “I had to stop every two or three pages and rearrange my perception of history…it’s that fundamental.”  Intelligence officials say the claims in the secret 28 pages were explored and found to be “unsubstantiated” in a later review by the national commission.  If that is the case, why not release them?  The Saudis have covered their trail.

Intelligence officials say the claims in the secret 28 pages were explored and found to be “unsubstantiated” in a later review by the national commission.If that is the case, why not release them?The Saudis have covered their trail.

Both the Florida Investigation and the hidden 28 pages of the 9/11 report received more attention this year when an Al Qaeda operative in custody described prominent members of Saudi Arabia’s royal family as major donors to the terrorist network in the late 1990s.  The claim by terrorist Zacarias Moussaoui, prompted a quick statement from the Saudi Embassy saying 9/11 commission rejected allegations that Saudi officials had funded Al Qaeda.

But Senator Graham who has seen the classified material spilled the beans “The 28 pages primarily relate to who financed 9/11, and they point a very strong finger at Saudi Arabia as being the principal financier,” he said, adding, “I am speaking of the kingdom,” or government, of Saudi Arabia, not just wealthy individual Saudi donors…“  This is a pervasive pattern of covering up the role of Saudi Arabia in 9/11 by all of the agencies of the federal government which have access to information that might illuminate Saudi Arabia’s role in 9/11.”

US Intelligence has sought to undermine the credibility of both Graham and Moussaoui, labeling Graham as a past-his-prime publicity seeker and Moussaoui as mentally unstable.

Yet the New York Post reported, “sources who have seen the censored 28 pages say it cites CIA and FBI case files that directly implicate officials of the Saudi Embassy in Washington and its consulate in Los Angeles in the attacks” — which, if true, would make 9/11 not just an act of terrorism, but an act of war by a foreign government.  The section allegedly identifies high-level Saudi officials and intelligence agents by name, and details their financial transactions and other dealings with the San Diego hijackers. It zeroes in on the Islamic Affairs Department of the Saudi Embassy, among other Saudi entities.”

If true, [it] would make 9/11 not just an act of terrorism, but an act of war by a foreign government.

In fact the Saudi’s are playing a dangerous double game, claiming to be US allies in the war on terror at the same time funding terrorist groups that espouse a violent Wahhabi Islamic ideology that is particular to Saudi Arabia.  At the same time, they have used their money and influence to shield the truth from the American people.  With their huge contributions to the Clintons, they hope to do it again.

Survive the Economic Collapse

pierosangiorgio2--672x359.JPG

Survive the Economic Collapse

Piero San Giorgio
Survive—The Economic Collapse: A Practical Guide
Radix/Washington Summit Publishers, 2013

survivehhhhhhjj.jpgFor White Nationalists, the possibility of some of kind of civilizational collapse not only seems plausible, but is also an exciting prospect as it poses an opportunity to make things right again. We know that the current system is cemented together with falsehoods. We can see that the money system is fraudulent. We understand that the “Gods of the Copybook Headings” will one day return with “terror and slaughter.” What made Western Civilization great—true leaders with an ability to plan for the long term—have been abandoned in favor of panderers who appeal to the short-sighted demands of a foolish public. We feel that this trajectory toward ever greater folly cannot last. Surely, it must not last! With this knowledge the question arises: What do we do in the meantime? Perhaps, Swiss author, Piero San Giorgio can help us find an answer.

There is a saying attributed to Louis Pasteur and paraphrased by several survivalists I know, “Chance favors the prepared mind.” The only thing certain in the event of a major collapse is that chaos will ensue. Survival in such a situation is a matter of being in the right place at the right time, but if you have worked out the various possible scenarios in advance and know how you will respond to each, then you may have a slight advantage. In Survive—The Economic Collapse: A Practical Guide, San Giorgio describes a number of collapse scenarios with varying degrees of severity, and then provides a basic overview of the factors that an amateur survivalist should consider in preparation for doomsday.

The first part Survive is entitled “Risks and Impacts” and begins with some eye-opening numbers regarding overpopulation and the rate of human reproduction on planet earth. People often forget that two centuries ago there were only about a billion people living on the planet. It took the human species approximately 200,000 years to number a billion people. Then, in only 200 years that number has increased seven-fold. When considering this reality, it is almost laughable to hear environmentalists claim that there is an urgent need to pass legislation to reduce the use of fossil fuels. If climate change poses the threat that is often claimed, then it just as much due to the population explosion we have witnessed in the last few decades.

You will be hard pressed to find a mainstream environmentalist proposing that we need to pass legislation to reduce birth rates worldwide, particularly among those most likely to be poor stewards of the earth’s resources. It is very common for the same environmentalists obsessed about fossil fuel legislation to insist that every Third World resident who “dreams” hard enough has a human right to settle in the United States, and these immigrants deserve to be given the First World lifestyle to which Americans have become accustomed with all of its consumption and waste. These brainwashed fools fail to understand that what the planet really needs are fewer human rights and more eugenics programs. This view is not endorsed in the book, but anyone who thinks seriously about overpopulation should not dismiss eugenics as a necessary measure.

Of course, exponential population growth leads to problems beyond global climate change and polluted air, water, and soil. San Giorgio predicts the exhaustion of all vital natural resources in the next 40 years. While I cannot state for certain his numbers are accurate, the theory certainly bears consideration. The earth has a finite number of resources that are being consumed at an ever-increasing rate as the standard of living rises around the globe. It makes sense that at some point these resources will run out. If we fail to use them wisely then we, as a species, we will create a terrible and tragic situation for ourselves or our descendants.

In addition to simply using up natural resources, we are in the process of destroying the cultures that allowed humanity to thrive in the first place. San Giorgio writes:

Culture appears in the word “agriculture” for a good reason. This culture, or cultivation of the earth—I would even say, this love of the earth—is made up of knowledge, competence, tricks, secrets, work methods acquired over centuries and transmitted with care—and, indeed love—to the next generation, from father to son, from mother to daughter.

In less than a century, blinded by the ease fossil energy has brought us, we have thrown all that knowledge away. We have transformed farms into automated factories. Agriculture has gone from family and community management to an industrial and global enterprise.

One question that comes to mind is whether the ease and comfort brought to our daily lives by industrial technology are really worth the trade-off. Has the quality of life improved now that more people can spend their free hours watching television and eating processed foods? Perhaps we would be better off reserving the accessibility of complex technologies to only a select few charged with discovering the mysteries of the universe. The vast majority of people might enjoy an honest days’ work outdoors more than a process-oriented job in a grayish-brown cubicle, or telling stories around a fire rather than sitting in their living room marathoning The Walking Dead on Netflix.

 

psg389155434152.jpg

 

Another risk discussed in the first part of the book is the problem posed by the financial system, how money is created and how this could lead to a potential collapse. This is followed by a critique of globalization, which states the rate of change in a global society requires such rapid adaptation that it cannot be done in a healthy way. Humans are being demanded to give up the aspects of our societies that have made life worth living for generation after generation—the rootedness that we have in our identity as a culture and people—and for what? So that we can become cogs in a giant and seemingly meaningless mechanism, and for most people, there is no choice in the matter. Becoming a cog is necessary if we want to meet our basic needs for survival. This is what “Liberalism” has wrought.

The first part ends with a chapter called “Hopes” to help alleviate the nightmares those of us who read before bed may have been having. For San Giorgio, there is hope to be found in the prospect that another way of life is possible, one that requires radical transformation. He writes:

Instead of trying to get a car to run on something other than gasoline, it is time to reflect on a way of life without cars. The social structure is going to have to evolve; we’re going to have to get rid of bad habits and accept limits: we cannot, for example, make commercial airlines fly on electricity, just as we don’t mold titanium turbines with electricity. It is our habits and culture as a whole that must change. Without new values, we will not succeed.

Yet how can such a shift in values take place when it seems that we are in the multifaceted death spiral the author has previously detailed for us? Life has been jarred out of balance and balance must be restored. To put it another way, justice must be made manifest. In human interactions there can be no justice without power. During the last century, the period on which San Giorgio focuses in pointing to where we went wrong, power has been in the hands of the unjust. Power must be reclaimed by those who will do what is right. This cause is at the heart of White Nationalism and the ethnonationalist moral system that the movement advances.

But Piero San Giorgio is not a White Nationalist. He endorses a small scale, almost pre-political-system of preparedness and self-sufficiency, rather than investing in any movement that pursues sweeping political change. In this sense he is banking on “The Collapse” for the shift in values upon which he has rested his hopes. And “The Collapse” is the title the second part of the book.

In Part II the mechanisms of collapse are more closely examined. In short, as the global industrial and economic system becomes more complex it also becomes more fragile. If one part of the system falters this could lead to the breaking point. Different crises are discussed, in which one part breaks. In a section about the Food Crisis, San Giorgio writes, “It takes 1500 liters of gasoline per inhabitant per year to feed a Westerner. To produce a calorie of food, the equivalent of 10 calories of fossil fuel is needed, whether directly (fuel) or indirectly (electricity, etc.)” This equation cannot be sustainable with a finite amount of fuel in the world. Another factor in the food crisis is the depletion of nutrients in the soil caused by factory farming. But factory farming is necessary to feed the population at its current size.

Countries and regions that rely on the importation of food will be the first to suffer as it becomes scarcer due to a convergence of factors exacerbated by short term planning, and this in turn will lead to a breakdown of the global system. A social crisis will emerge due to antipathy between groups competing to survive, and as social cohesion deteriorates we will see the breakdown of the infrastructure that maintains our current standard of living. Sanitation systems and nuclear power plants are examples of infrastructure that require continuous maintenance. If sanitation systems are neglected there will be a rapid rise in disease and a lack of drinking water. If nuclear power plants do not receive regular attention then there is the potential for another Chernobyl wherever they are found.

San Giorgio describes nine scenarios of how society might handle a collapse depending upon the rate of collapse and the extent of catastrophe. He calls the scenario with the slowest rate and smallest extent a techno-utopia. In this instance, technology continues to solve every resource problem, and the world becomes increasingly globalized. Social atomization advances at a steady pace, and the vast majority of people are medicated to cope with meaninglessness of existence. This is the best possible of scenarios for those who are addicted to comfort. Yet, it is also a collapse of many of the aspects of life that humans value. What is not mentioned here is the idea that when technology becomes complex enough, humanity could feasibly be replaced by artificial intelligence.

Another scenario that is predicted in the case of a slow rate of collapse but a great extent of catastrophe is described as eco-fascism, in which ”Deep Green” parties take over the government and enact strict controls to ensure the preservation of eco-systems. It is in this scenario that eugenics programs are given credence, with a permit being required to have children. Additional measures are described to save costs and reduce the population.

Deep Greens showed a willingness to use tactics that a prior generation would have called “ruthless.” In order to limit demand on the welfare system, the mentally handicapped and those with Down syndrome were systematically tracked down and euthanized. Seniors over the age of 60 were barred from the public health system. The euthanasia of the severely ill was made free and immediate, unless specifically forbidden by the family.

San Giorgio’s description of eco-fascists is reminiscent of the Tea Party’s predictions about Obamacare. As can be seen from the excerpt above, the future scenarios are written in the past tense as if they have already happened. They are fun to read, but then so is science fiction.

The final scenario described is the one with fastest collapse and the greatest extent of catastrophe, which is called Ragnarök. This might be caused by some unforeseen or unpreventable situation such as a comet hitting the earth. But even in such a dire case, the reality is that some humans would probably survive. We so are so numerous and so adaptable that the likelihood of our total extinction is small. In my opinion, it is smaller in a Ragnarök scenario than in one of techno-utopia. After discussing these possible futures, we are asked to consider our personal future and decide how important we think it is to be prepared for the worst. When considering the possibilities, we are told we are better off prepared than not, but of course the choice is up to us.

The fourth part of the book is entitled “Survival” and describes how to build what San Giorgio calls a Sustainable Autonomous Base (SAB). This is a secure space for which provisions have been made to ensure access to seven fundamental principles of survival, which are water, food, hygiene and health, energy, knowledge, defense, and the social bond. A chapter is dedicated to each of these principles. A well-planned SAB should be stocked with supplies for short term survival as well as the tools and equipment necessary to eventually live completely off the grid.

The tone of the book becomes more technical, like a manual. The amount of information can be overwhelming, and each chapter provides only a basic overview what kinds of thing one should consider surrounding these principles. For instance, in the food chapter, a list of foods that can be stored long term is provided along with suggestions for how much should be stocked for a year’s supply. Methods of preservation are also described and ways of procuring food once supplies run out, like hunting, fishing, and gardening. But only a few pages are dedicated to these broad concepts. A person serious about building an SAB will need to do a lot more research.

Few have the time or money to master every facet of an SAB. This is why knowledge is included as a principal of survival. Having a comprehensive physical library will be very useful for learning those things that the survivalist did not have time to study before a dire situation arises. The social bond is also important principle for this reason. San Giorgio recommends partnering with others to build an SAB. Preferably these partners should have a wide array of different skills, or can be assigned to become experts in one or several of the principles of survival.

Also falling under the social bond principle are ways of communicating with the outside world, be it locally or with the wider world via some type of radio communication. Protocols need to be developed regarding how outsiders should be treated. In a collapse scenario, there is a far greater risk of being open and neighborly, yet at the same time, being too security conscious could lead to missed opportunities.

 

piero+RGB.jpg

 

The final section of the book is on how to begin preparation, including both mental preparation and the preparation of material needs. For mental preparation, San Giorgio recommends a media detox, such as going for a period of time without consuming any mass media. He also recommends getting rid of television altogether. Other exercises he mentions including going a weekend without electricity and water, going a week without food, or without money. He advises practicing certain social skills, like acting as a pick-up artist, or selling something, or negotiating something. He also describes a detailed 6-day preparation exercise, which incorporates many of the survival principles laid out in the previous section.

Survive—The Economic Collapse: A Practical Guide ends with a comprehensive bibliography and reference section. There is also a series of a useful appendices including one on how to make a 72-hour survival kit, and numerous lists of equipment and supplies needed for the more technical of the seven principles of survival. These final pages make an excellent starting place for anybody thinking about getting into survivalism.

Overall, this book looks and feels as though it is targeting young people. Each chapter opens with quotations from both historical figures, popular contemporary figures, and even some fictional characters, like Morpheus from The Matrix. Each chapter ends with a few fictional vignettes related to the subject of the chapter, which do not add much to the reading experience, but may be entertaining to some. The font of the text changes between the different components of the chapter, and some fonts have a cartoonish feel. It would not have been surprising to encounter a few comic strips, but with the exception of some graphs there are no illustrations in the book.

San Giorgio seems at least somewhat realistic about race, conceding that in a collapse situation racially diverse areas will have worse tension and distrust than homogenous areas. Furthermore, his critique of globalization includes some discussion of the problems created by mass immigration. The discussion of overpopulation also has some racial undertones, but these are not explicitly brought to light. There is no indication that San Giorgio understands the value of racial consciousness in the book, but given his situation and the subject matter, this makes sense. It is probably better for book sales to avoid talking about race.

There is something uniquely white about survivalism. Perhaps this is related to having a lower time preference on average, and seeing that the poor planning of today is creating a society that cannot last. Or perhaps there is a spiritual element related to our desire to achieve a balance with nature. Many readers of this book will find the notion of a Sustainable Autonomous Base appealing even if an economic collapse never occurs. Just the idea of living sustainably and autonomously away from this sick anti-culture that surrounds us will no doubt inspire some to become of survivalists.

One outcome of building an SAB is that it requires us to recreate a culture that is healthy through the mastering of skills and techniques that are quickly disappearing from our everyday lives; the ability to grow our own food and make our own clothing, tools, shelters and energy sources; the ability to protect ourselves. If we partner with others toward these goals we can build trusting and tightly-knit relationships, possibly with other white people who may not agree with us at first. But once that trust has been gained this can be the foundation for a new understanding about racial identity. And of course, we should continue to engage in propaganda tactics to bring about an awakening of racial consciousness among our kin. While the future is unclear, two things are certain: the system must change, and white people must defend themselves.

Article printed from Counter-Currents Publishing: http://www.counter-currents.com

URL to article: http://www.counter-currents.com/2015/04/survive-the-economic-collapse/

URLs in this post:

[1] Image: https://secure.counter-currents.com/wp-content/uploads/2015/04/survive-the-economic-collapse.jpg

00:05 Publié dans Livre, Livre | Lien permanent | Commentaires (0) | Tags : survie, survivalisme, piero san giorgio, livre | |  del.icio.us | | Digg! Digg |  Facebook

De la grande pitié du latin (et du grec) dans les collèges de France

Latin.jpg

De la grande pitié du latin (et du grec) dans les collèges de France

 
Francis Richard
Resp. Ressources humaines

Madame Najat Vallaud-Belkacem, Ministre de l'Éducation nationale, de l'Enseignement supérieur et de la Recherche vient de concocter une réforme du collège applicable en France dès 2016. Aux termes de cette réforme, l'enseignement du latin et du grec pourraient bien disparaître, contrairement à ce qu'affirme une ministre outragée par la seule pensée que l'on puisse en douter.

Pourquoi le latin et le grec pourraient-ils disparaître?

Parce que la théorie de leur maintien apparent et facultatif ne résistera vraisemblablement pas à la pratique.

Quelle est la situation actuelle?

Aujourd'hui quelque 20% des collégiens choisissent l'option latin à la fin de la sixième. Ils font son apprentissage à raison de deux heures par semaine en cinquième et de trois heures par semaine en quatrième et troisième. Au-delà, pendant les trois années de lycée, ils ne sont plus qu'environ 5% à poursuivre cet apprentissage - ce qui est bien regrettable. Quant à l'option grec, elle n'est possible qu'à partir de la troisième et seuls 2% des collégiens la prennent. Ne parlons pas de ceux qui continuent cette option au lycée.

Que prévoit la réforme des collèges?

Premier volet: la réforme prévoit que, pendant les cours de français, il soit fait place aux "éléments fondamentaux des apports du latin et du grec à la langue française", une initiation tout au plus suivant les propres termes de la ministre...

Deuxième volet: la réforme prévoit que soient créés huit EPI, enseignements pratiques interdisciplinaires, dont six d'entre eux seront choisis et proposés aux élèves par le chef d'établissement:

- Monde économique et professionnel

- Culture et création artistique

- Information, communication, citoyenneté

- Corps, santé, sécurité

- Sciences et société

- Développement durable

- Langues et cultures étrangères/régionales

- Langues et cultures de l'Antiquité

C'est dans ce dernier EPI que le latin et le grec se nicheraient, mais, comme le nom l'indique déjà, ils ne seraient pas à proprement parler enseignés... si cet EPI existe seulement dans l'établissement fréquenté.

Troisième volet: pour les irréductibles qui voudraient absolument faire du latin et du grec, un "enseignement de complément" pourrait leur être dispensé à raison d'une heure en cinquième et de deux heures en quatrième et troisième, si le chef d'établissement le veut bien, ou, plutôt, le peut, puisqu'il n'est pas prévu de grille horaire ni de financement pour cet enseignement... Et pour cause: la ministre n'a ajouté ce troisième volet qu'à la dernière minute, devant la levée de boucliers suscitée par sa réforme...

En résumé, l'intention proclamée est de donner accès à tous au latin et au grec, le latin et le grec pour tous en quelque sorte. Mais, comme ce n'est pas possible, on n'en donnera à tous que des miettes et on donnera, en réalité, à ceux qui, aujourd'hui, optent pour le latin (et le grec), moins de temps, voire pas du tout.

Il est indéniable pourtant:

- que la maîtrise de la langue française passe par la connaissance des langues qui l'ont précédée et fondée, le latin et le grec, pour une grande part;

- que, jadis, lorsqu'on apprenait le français, le latin et le grec, on disait que l'on faisait ses humanités, c'est-à-dire que l'on se formait à l'esprit critique et à l'esprit humaniste, qui sont souvent aujourd'hui portés disparus dans la France contemporaine;

- que ces enseignements du grec et du latin sont, à l'heure actuelle, déjà mal en point, parce que le réflexe formaté est de les considérer comme des langues mortes, donc inutiles; et l'on se trompe lourdement, comme le disait naguère Jacqueline de Romilly.

Prenons mon modeste cas personnel: naturellement inapte aux sciences et techniques, c'est à la formation intellectuelle et la logique que m'a données le latin pendant sept ans, de la sixième à la terminale, dans un collège religieux puis au Lycée Henri IV de Paris, que je dois d'être devenu ingénieur diplômé de l'École Polytechnique Fédérale de Lausanne...

Francis Richard, 29 avril 2015

Publication commune Lesobservateurs.ch et Le blog de Francis Richard

Il destino di Céline che abbandonò la vita per la letteratura

celine.-satisface.-galetto.jpg

Il destino di Céline che abbandonò la vita per la letteratura

di Stenio Solinas

Fonte: Il Giornale

La biografia firmata da De Roux è una meditazione sulla morte e sullo stile: "Aveva rischiato per tutti quelli che non rischiano niente, lecchini e giustizieri"

Dopo l'uscita di La mort de L.F. Céline , Abel Gance, un nome che da solo incarna il cinema, definì il libro «una delle più grandi pagine della nostra letteratura» e il suo autore, Dominique de Roux, uno di «quegli illuminados » sopravvissuti alla modernità.

«Quando si scava volontariamente il fossato che vi separa dagli altri - si finisce per scavare la propria tomba - ma i geni la superano e se la lasciano alle spalle. Si accorgono allora di non poter tornare indietro perché, come dice Nietzsche, “il precipizio più piccolo è il più difficile da riempire”. La tragedia dei grandi uomini comincia allora, morti o vivi, quando hanno superato la loro tomba».

A quel tempo de Roux aveva appena compiuto i trent'anni, Gance stava per toccare gli ottanta, ma a essere «più vecchio di se stesso» il primo era abituato: gli era successo con Ezra Pound, con Gombrowicz, con Borges, numi tutelari e solitari che si era messo sulle spalle e aveva riportato al centro della scena. A vent'anni aveva già fondato una rivista e scritto il suo primo romanzo, a venticinque una casa editrice da dieci titoli l'anno. La sua era un'esistenza compressa e insieme dilatata, una bulimia di esperienze propria di chi viveva con la morte in tasca: un «soffio al cuore» ereditario senza scampo, a meno di non ritirarsi ai margini, «pensionarsi» nell'illusione così di risparmiarsi. Morì che non ne aveva ancora quarantadue, lasciandosi alle spalle un pugno di libri editi e qualcuno inedito; una serie di reportage sulla guerriglia nell'Africa allora portoghese; un ruolo di consigliere politico di Jonas Savimbi, il capo dell'Unita, il movimento di liberazione antimarxista dell'Angola; un numero incredibile di polemiche giornalistiche e letterarie, prese di posizione, rotture, censure, accuse, maldicenze. «È inutile sforzarsi a invecchiare, ogni riuscita è impossibile, minati come siamo dalle nostre necessità di rottura».

È anche alla luce di questa esistenza di corsa e da corsaro delle idee che quel libro su Céline acquista un valore particolare e ora che per la prima volta è qui da noi tradotto ( La morte di Céline , Lantana editore, pagg. 135, euro 16, traduzione di Valeria Ferretti, a cura di Andrea Lombardi), il lettore italiano capisce di avere di fronte non tanto una biografia o il profilo di uno scrittore, ma una meditazione sulla morte e sullo stile, sul valore e il senso della letteratura, sul ruolo stesso di chi la fa. «L'opera di Céline resta uno degli enigmi esemplari del nostro tempo. È la scrittura a condannare Céline; è anche colei che lo salva». Come nota nella sua introduzione Marc Laudelout, editore del Bulletin célinien , la più incredibile e informata rivista sull'autore del Voyage , «mai in così poche parole il destino tragico di Céline sarà così ben definito».

Proprio perché non è una biografia in senso classico, e proprio perché scritto negli anni in cui il vero e il falso su Céline erano ancora strettamente mischiati, il libro di de Roux conserva qualche cliché céliniano (la trapanazione del cranio mai avvenuta, la copertina dell' Illustré National mai esistita, il lungo viaggio attraverso la Germania in fiamme che in realtà fu breve...) di cui il tempo ha fatto giustizia. Anche la natura dell'antisemitismo di Céline gli sfugge, ponendosi egli sulla scia di quell'interpretazione-metafora di André Gide che ormai non regge più. Non gli sfugge però già allora la natura del suo razzismo, nata sull'ossessione per la decomposizione del mondo moderno, basata sul culto della salute e della bellezza come possibile rinascita.

Di là da ciò, La morte di Céline è, come già accennato, una meditazione sulla scrittura. «La parola letteraria non ha più senso. Scrivere, e ancor più scrivere in francese, sembra essere la proiezione di una certa decadenza, di un totale fallimento di se stessi». Si avanza insomma su «termitai di parole decadute», intorpiditi nell' art and business , dove i critici si auto-proclamano creatori e gli scrittori pensano alla carriera, mai all'opera. «Pubblicano e pubblicano, sono delle pulci, ma non se ne rendono conto. Dandies paurosi come conigli, “vecchi parrucconi” della mia generazione». È l'epoca della colonizzazione dei premi letterari e dell'imperialismo degli editori: «Il prestigio si riduce al vuoto, un folclore di cretini si sostituisce alla crudeltà della poesia; la chitarra la venale vanagloria del disco, e tutte quell'esperienze ridicole, così l'Europa dell'anno I dell'era atomica».

La morte, spirituale prima che fisica di Céline, vuol dire proprio questo, il venir meno di un destino. «Céline attribuiva al poeta il potere di cambiare il mondo! Scrivere pamphlet inauditi fu il suo destino, perché voleva che la sua protesta fosse udita. Passare il limite equivaleva a screditarsi. Abbandonava la vita per la letteratura, pratica opposta a quella di Rimbaud». Isolato nel suo miraggio dell'uomo leggendario, Céline aveva capito che «le masse de-spiritualizzate, spoetizzate sono maledette».

Il fatto è che per de Roux «la carriera dell'uomo di letteratura non richiede né audacia né capacità. Si basa su così tanti stratagemmi infimi, che il primo venuto può arrampicarsi facilmente e ingannare il pubblico, con la complicità della moda del momento». Niente a che vedere, insomma, con uno che «aveva rischiato per tutti i letterati che non rischiano niente, lecchini e giustizieri. Aveva voluto essere il messaggero della totalità. Ma all'ultimo atto della tragedia, la catastrofe si esprime da sé in sentenza di morte. Si voleva che niente restasse di Céline».

Così, il pamphlet che gli dedica è una sorta di chiamata alle armi: «In Francia siamo in territorio nemico. Noi saremo sempre in territorio nemico. Gli scrittori che non vogliono sottomettersi alle parole d'ordine, alla macchina delle critiche ufficiali, che lotteranno contro le leggi e la vile dittatura delle mode, che dimostreranno con la loro opera vivente, con la provocazione delle loro vite - contro i traditori incoscienti e i falsi testimoni di professione, contro le razze degli spiriti prostrati - costoro raggiungeranno le sparse membra di Céline in questo deserto dei Tartari dove egli monta la guardia contro chi non giungerà mai». Da allora è passato mezzo secolo e purtroppo non è cambiato niente.


Tante altre notizie su www.ariannaeditrice.it

Céline médecin et écrivain

escritor_Louis-Ferdinand_Celine.jpg

« Céline médecin et écrivain » par Frédéric VITOUX

Académie Nationale de Médecine (2007)

 
Frédéric Vitoux, de l'Académie française, a tenu une discussion sur le thème de Céline médecin et écrivain à l'Académie Nationale de Médecine lors de la journée du livre en septembre 2007, entretien diffusé sur Canal Académie, «magazine francophone des Académies sur Internet». Frédéric Vitoux est l'auteur de nombreux romans et essais, notamment de Louis-Ferdinand Céline, misère et parole (Gallimard, 1973), Bébert, le chat de Louis-Ferdinand Céline (Grasset, 1976), d'une biographie de Céline, La vie de Céline (Grasset, 1988). Il vient de faire paraître chez Fayard Jours inquiets dans l'Île Saint-Louis.
 

L'INFORMATION CONTRE NOS LIBERTES

L'INFORMATION CONTRE NOS LIBERTES

Méridien Zéro a proposé un entretien avec Laurent Ozon pour disséquer l'information, non pas sous l'angle de la réinformation, ce que nous avons déjà eu l'occasion de traiter, mais par une approche plus globale sur ce qui constitue aujourd'hui l'information, coeur nucléaire du système que nous combattons.

A la barre et technique, JLR

MZ 221.jpg

Pour écouter:

http://www.meridien-zero.com/archive/2015/02/13/emission-n-221-l-information-contre-nos-libertes-5558115.html

Sept films à voir ou à revoir sur la Guerre comme expérience intérieure

Entre-les-lignes-2.jpg

Sept films à voir ou à revoir sur la Guerre comme expérience intérieure

Ex: http://cerclenonconforme.hautetfort.com

A propos de la guerre, Ernst Jünger écrivait : "Oui, le soldat, dans son rapport à la mort, dans le sacrifice de sa propre personne pour une idée, ignore à peu près tout des philosophes et de leurs valeurs. Mais en lui, en ses actes, la vie trouve une expression plus poignante et plus profonde qu'il n'est possible en aucun livre. Et toujours, de tout le non-sens d'un processus extérieur parfaitement insensé, ressort une vérité rayonnante : la mort pour une conviction est l'achèvement suprême. Elle est proclamation, acte, accomplissement, foi, amour, espérance et but ; elle est, en ce monde imparfait, quelque chose de parfait, la perfection sans ambages. " Il y a un siècle, la Première Guerre mondiale inaugurait le combat moderne en même temps qu'elle propulsait sur des centaines de théâtres d'opération des millions de jeunes âmes volontaires ou contraintes de vivre leur guerre "comme expérience intérieure". Des hommes, tel Ernst Jünger, héraut de l'aristocratie guerrière allemande, René Quinton ou Joseph Darnand, frères d'armes français, naquirent pour la seconde fois sous la tempête des Orages d'acier. Mais combien d'hommes marqués à jamais par l'indicible effroi de l'expérience du combat ? Eux qui clamèrent plus volontiers, non la Guerre notre mère mais la Guerre notre mort. Le thème de la guerre figure parmi les plus explorés du cinéma. Excellente occasion de découvrir ou redécouvrir, sous de nombreux aspects, de brillantes réalisations abordant plus généralement la perception psychologique des conflits.

photo les chemins dans la nuit.jpg

LES CHEMINS DANS LA NUIT

Titre original : Wege in der Nacht

Film allemand de Krzysztof Zanussi (1979)

1943, des soldats du Reich prennent possession d'une grande ferme polonaise. La chasse aux alentours est l'occupation favorite des officiers de la Wehrmacht, parmi lesquels deux universitaires, Friedrich et son cousin Hans-Albert. Friedrich se distingue de son cousin par sa passion pour l'art et la littérature. Il tombe bientôt amoureux d'Elzbieta, fille du baron propriétaire, qui est animée des mêmes goûts artistiques. Un amour nullement réciproque. Elzbieta juge Friedrich trop peu critique à l'égard de la barbarie de la guerre. Et patriote polonaise ardente, Elzbieta est bien décidée à utiliser l'amour de Friedrich pour aider l'action militaire des partisans polonais...

Pas tout à fait un film de guerre, la réalisation de Zanussi explore de manière admirable la collaboration par l'inaction. Si Friedrich n'est pas un national-socialiste convaincu, son inaction pour combattre le régime et son acceptation de la barbarie le transforment en complice actif. Et c'est toute la faiblesse morale du héros, présenté comme un personnage affable et sympathique mais obéissant aveugle à un régime qu'il ne cautionne pas, que souhaite mettre en exergue le réalisateur. Tourné en 1979, Zanussi, de nationalité polonaise, ne manque pas d'établir un parallèle fort avec l'intelligentsia polonaise, de même, complice du régime communiste par sa lâcheté. Le film, en outre servi par de brillants interprètes, est un petit bijou.

photo empire du soleil.jpg

EMPIRE DU SOLEIL

Titre original : Empire of the Sun

Film américain de Steven Spielberg (1987)

Shanghai en 1941, la zone anglaise de la ville connaît un destin singulier quand le reste de la Chine est occupée par l'armée japonaise. James Graham est le jeune fils d'un riche industriel britannique et mène une adolescence insouciante. Mais James est bientôt rattrapé par la guerre. L'aviation japonaise vient d'attaquer Pearl Harbour scellant la déclaration de guerre nippone aux forces alliées. L'armée impériale envahit la Concession internationale de Shanghai. Séparé de sa famille, le jeune garçon erre et découvre la peur et la mort avant de se retrouver prisonnier dans un camp dans lequel il doit apprendre à survivre. Ses rêves de révolte et de guerre perdent leur sens. Aidé par le prisonnier Basile, James n'a d'autre possibilité pour évader son esprit que de transformer sa détention en aventure extraordinaire...

Si le talent de Spielberg est largement surestimé, le présent film constitue l'une de ses meilleures réalisations avec Rencontres du troisième type.  Bien que non soldat, James est contraint de mener et vivre sa guerre sans fusil comme un parcours initiatique qui le révèlera et le conduira à l'âge adulte. L'image émouvante d'un antihéros qui se représente la guerre et la barbarie comme son nouveau terrain de jeu. Le film est une adaptation du récit semi-autobiographique de l'écrivain de science fiction James Graham Ballard. Une œuvre lyrique et envoutante.

photo le faubourg okraina.jpg

LE FAUBOURG OKRAINA

Titre original : Okraina

Film russe de Boris Barnet (1933)

1er août 1914, l'Allemagne mobilise et déclare la guerre à la Russie tsariste. Un vent patriotique souffle dans tout le pays, aussi sur le faubourg d'une petite ville menacée par l'avancée des troupes du Kaiser. Gresin, le fabricant attitré de bottes pour l'armée est le plus fervent patriote et enjoint tous les hommes en âge de combattre du quartier à monter au front. L'ouvrier Nikolaj Kadin est mobilisé et rejoint par son frère Son'ka qui se porte volontaire. Ces modestes ouvriers et paysans vont bientôt découvrir les horreurs des tranchées et la gestion irresponsable d'officiers généreux en chair à canon. A l'arrière du front, l'effervescence patriotique cède la place à la contestation d'un conflit engraissant les marchands de canons. Les thèses bolchéviques trouvent un terreau favorable à leur éclosion...

Certes, il s'agit d'un film de propagande stalinienne qui ne fait guère l'économie d'un certain nombre de poncifs. C'est le lot des films de propagande après tout... Barnet livre néanmoins ici une vision douce-amère de la guerre, éloignée de la grandiloquence d'autres productions bolcheviques. L'autre particularité du film réside également en une présentation de la perception du conflit par l'ensemble des classes sociales, limitant un point de vue uniquement prolétaire. Bref, une réalisation assez iconoclaste au sein du monolithisme du cinéma soviétique. A voir !

photo flandres.jpg

FLANDRES

Film français  de Bruno Dumont (2005)

De nos jours en Flandre, Demester doit quitter son exploitation agricole, accompagné d'autres jeunes Flamands, pour être propulsé sur un théâtre d'opération lointain. Demester menait jusqu'alors une vie pauvre et simple. Il aime secrètement Barbe, son amie d'enfance avec laquelle il partage de longues ballades. Il aime Barbe malgré ses mœurs libres et ses amants, parmi lesquels Blondel qui la séduit. Attendant le retour de Demester, Blondel et leurs compagnons, Barbe s'ennuie au village. Quant à Demester, de nature aussi taciturne et morose que l'était son ciel de Flandre, il fait face à la guerre avec une parfaite tenue au feu et se mue en véritable guerrier. Une guerre dont il ne sortira pas indemne psychologiquement...

Afrique du Nord ? Moyen Orient ? Rocailleux et écrasé par un lourd et brûlant soleil, le théâtre d'opération défini par Dumont est imaginaire et filmé avec un ton glacé. Le film n'épargne rien au spectateur plongé au cœur d'un voyage au bout de l'enfer. Une descente aux enfers qui se poursuit après le retour du champ de bataille et maintient le spectateur dans une position inconfortable sublimée par d'interminables moments de silence. Bruno Dumont ne cesse d'étonner et de confirmer l'étendue de son incroyable talent. A voir absolument !

photo la honte.jpg

LA HONTE

Titre original : Skammen

Film suédois d'Ingmar Bergman (1968)

Jan et Eva Rosenberg vivent reclus sur une île et vouent une passion inconditionnelle pour la musique dans un monde en proie à une guerre lointaine. Une panne de radio suivie d'autres incidents mineurs précipitent progressivement l'île dans le conflit. Les comportements de chacun se modifient radicalement. Jan se montre ainsi de plus en plus agressif envers Eva. Arrêtés tour à tour par les conquérants et les libérateurs, les amoureux sont relâchés sur ordre de leur ami, le colonel Jacobi. Eva s'offre au colonel bientôt fusillé sous leurs yeux. Les musiciens prennent la fuite en compagnie d'autres fugitifs en barque sur une mer jonchée de cadavres. Ils savent que, désormais, plus rien ne sera comme avant...

L'histoire de deux civils ordinaires plongés dans un conflit imaginaire aussi banal qu'insoutenable. Avec brio, le réalisateur démontre l'intrusion de la violence et les irréversibles bouleversements qu'elle engendre. Les deux individus sont littéralement pris au piège et otages d'un monde qui ne les concerne pas. Une anomalie dans la filmographie de Bergman qui parvient à montrer la guerre avec un indéniable talent conjugué à une parfaite psychologisation des protagonistes. Un chef d'œuvre !

photo la ligne rouge.jpg

LA LIGNE ROUGE

Titre original : The Thin Red Line

Film américain de Terence Malick (1998)

1942, la bataille de Guadalcanal fait rage dans le Pacifique. Le cadre paradisiaque est trompeur. Au milieu de tribus amérindiennes otages d'un conflit étranger, soldats américains et nippons se livrent une lutte sans merci, dont aucun combattant ne sortira indemne. Au sein de la Charlie Company, le fantassin Witt, accusé d'avoir déserté, bénéficie de la clémence du sergent Welsh. Le chemin menant à l'objectif, la colline 210 défendue par un solide bunker, semble interminable et la préparation d'artillerie semble bien mince. De nombreux soldats gisent déjà au sol. Les survivants sont assoiffés. Il n'y a plus d'intendance... Le capitaine Staros refuse de poursuivre l'assaut commandé par sa hiérarchie, estimant qu'il s'agit d'une mission-suicide. Après de longues heures d'attente, une patrouille de sept hommes est chargée d'effectuer la reconnaissance des abords de la colline 210. Le G.I. Witt en fait partie...

Witt et ses compagnons d'armes étaient de simples civils peu auparavant. Qu'a-t-il bien pu s'opérer pour qu'ils se muent en bêtes de guerre ? Malick livre ici une formidable réalisation sur le vécu d'une troupe et mêle très habilement l'alternance de scènes d'effroyables combats avec de longs plans sur la faune et la flore insulaires et le quotidien d'indifférentes tribus autochtones plongées, malgré elles, dans l'une des plus sordides boucheries. Autre habileté : l'utilisation de la voix off pour accentuer le caractère tragique de la guerre. A voir absolument!

photo signes de vie.jpg

SIGNES DE VIE

Titre original : Lebenszeichen

Film allemand de Werner Herzog (1967)

Pendant la Seconde Guerre mondiale, un jeune soldat du Reich, Stroszek, est blessé et envoyé en convalescence dans un dépôt de munitions dont il assure la garde sur l'île de Crète. Loin du tumulte de la bataille et réduit à l'inaction, le soldat occupe le temps en s'astreignant à d'inutiles tâches qu'il juge nécessaires à son équilibre psychique. Le conscrit pourrait mener une vie paisible dans cette forteresse que nul ne menace, en compagnie d'une jeune femme grecque dont il fait son épouse et deux autres camarades. Mais face à l'interminable attente, Stroszek sombre progressivement dans la folie et devient dangereux pour son entourage...

Premier long-métrage du génial Werner Herzog. Et c'est une réussite ! Stroszek, symbole du combattant déchu de sa guerre, orphelin de sa mort, que ses gestes dérisoires pour se maintenir parmi les guerriers attirent vers la déraison. Quel contraste entre la violence d'une guerre et le pacifique calme solaire de cette île du Dodécanèse où le temps semble s'être arrêté ! Herzog filme magnifiquement la lente dégradation des rapports entre ces êtes que la guerre a oubliée. Une œuvre oppressante !

Virgile / C.N.C.

Note du C.N.C.: Toute reproduction éventuelle de ce contenu doit mentionner la source