Ex: http://www.counter-currents.com/
The heterogeneity of America’s European population has always posed a challenge to its national identity. Only late in the nineteenth century was this identity extended to European immigrants assimilated in its Anglo-Protestant values and, in the twentieth century, to Catholics, whose Church (the “Whore of Babylon”) had learned to accommodate the Protestant contours of American life (or what John Murray Cuddihy called its “civil religion”). From this ethnogenesis, the original Anglo-Protestant identity of the American people gradually evolved into a more inclusive European Christian identity, though one closely tied to its Anglo-Protestant antecedents.
Based on this heritage, racial nationalists today define America as a European nation and designate its anti-white elites as their principal enemy.
It was, though, but in fits and starts that American whites acquired an ethnonational identity. What’s often referred to as American nationalism—the expansionist slogans of Manifest Destiny, the ideology of Anglo-Saxonism, the gunboat diplomacy of the Progressives (McKinley, T. Roosevelt, Wilson)—was more a chauvinist statism legitimating territorial expansionism and land speculation than an ideological offshoot of the country’s racial-historical life forms. The primordial concerns of the American nation were thus only tangentially represented in these imperialist movements associated with the state’s expansion.
The first genuinely post-revolutionary expression of American ethnonationalism (i.e., “nationalism in its pristine sense”) began, accordingly, with the first wave of mass immigration, in the late 1830s and “the hungry Forties,” as Irish and South German Catholics reached American shores, affronting “Anglo-Americans” with their “otherness.” The “nativists” (native born, White, Protestant Americans) opposing the new immigrants rejected the crime, public drunkenness, pauperism the Irish brought, but above all the Catholicism of both groups, for “the Church of Rome” was an anathema to a liberal nation born of the Reformation and of the struggles against the Catholic empires of Spain and France.
The nativist response was nevertheless a nuanced one recognizing the distinctions that culturally separated Irishmen from Germans. The latter, who began to outnumber the Irish only in the late 1850s, tended to be farmers and artisans. That they settled inland, away from the older coastal settlements, and engaged in respectable occupations also mitigated nativist opposition, though nativists opposed the formation of German-speaking communities, beer-drinking forms of sociability, and the Germans’ political radicalism.
The Germans nevertheless seemed assimilable, which was not the case with the Irish. The first expression of American nativism was thus largely an anti-Irish movement, for the tribal solidarity of this unbourgeois people, their aggressive rejection of Protestant culture, their whiskey drinking and pre-modern behavior, and their anti-liberal sympathy with the slave states (which nativists resented because these states closed off land to white settlement) were an offense to the country’s Anglo-Protestant culture.
This anti-Irish sentiment became especially prominent once the famine ships, with their destitute cargoes, began arriving.
The Irish, though, offended not simply the Yankees’ religious and behavioral standards, their quick exploitation of the political system offended their republican convictions. Though one of the most afflicted of Europe’s nations, Erin’s exiles were also one of the most politically “advanced.” Not only had they a long history of secret societies (such as the Defenders, Whiteboys, Ribbonmen, etc.), which had waged an underground war against English landlords and Orangemen, in the 1820s, Daniel O’Connell’s Catholic Association, “the first mass political party in history,” taught the Irish how to exploit the new electoral forms of liberal parliamentary politics in order to throw off England’s Protestant ascendancy and its genocidal Penal Laws.
In America, the politically savvy Irish (led by their priests, saloon keepers, and eloquent rebels) challenged not just Yankee folkways, but the individualistic tenor of republican governance.
The terrible age of American ethnic politics begins with the Irish.
From the 1830s through to the late 1850s, nativist opposition to Catholic, specifically Irish, immigration took the form of intercommunal strife, the proliferation of anti-immigrant associations, and, then in 1854, the establishment of a national political party—the American Party (known as the “Know-Nothings”)—which, for a time, became a refuge for abolitionist and free-soil opponents of Southern slavery who had broken with the Whig party but not yet affiliated with the newly formed Republican party. (That is, this nativist party was partly the creation of those who now seek our destruction as a people.)
The Know Nothings held that Protestantism was an essential component of American identity; that Catholicism’s “autocratic” Pope and Church hierarchy were incompatible with republican self-rule; that Catholics had acquired undue political advantage; and that a longer, more thorough process of naturalization (Americanization) was necessary for the acquisition of citizenship. More fundamentally, it gave expression to the deep reservation which Anglo-American Protestants had about allowing their country to be overrun by Catholic immigrants.
Like most future manifestations of American racial nationalism (though they lacked a genuinely racial dimension), the Know Nothings were moved by a populist distrust of the state and the established political parties, which were seen as indifferent to the ethnocommunal identity of native whites.
Within but a year of its founding, the American Party succeeded in electing eight state governors, more than a hundred Congressmen, the mayors of Boston, Philadelphia, and Chicago, and thousands of local officials. Its future looked bright.
But the party fell almost as rapidly as it rose, having been swept up and then forced off the political stage by powerful sectional conflicts related to slavery and the preservation of the Union.
Its struggle for an Anglo-Protestant America in the 1850s nevertheless represented the first bloom of American nationalism in its blood-and-soil stage (somewhat earlier than other European nationalisms, which were still at the liberal political stage). As such, it resisted a political system privileging economics over community, opportunity over belief, and a liberal over a biocultural understanding of American life.
Though race was not an issue, religion, culture, and an endogamous sense of community were—issues that are preeminently ethnonationalist. Nativism became, as such, the foundation upon which the future defense of European life in America would be waged—for in however rudimentary and unfocused a way, it defended the American nation as an Anglo-Protestant community of descent, not a political entity based on an abstract ideological or creedal notion of nationality opened to all the world. (We Irish, supreme irony, have, as any roll of white nationalist ranks reveals, become the foremost exponent of this view today.)
The racial component of this biocultural definition of the nation did, though, soon come into its own—in the anti-Chinese movement that dominated California politics in the half century following the Gold Rush (1848).
As European immigrants, native Americans, and the first Chinese made their way to California in this period, so too did racial conflict—though conflict here would not be between natives and immigrants, but between Occidentals and Orientals, White against Yellow.
Standing together against the first Chinese arrivals—and to the swarming millions threatening to follow in their wake—native Americans and Irish Catholics discovered their common racial identity.
Almost from the start, they recognized the joint stake they had in opposing a people which worked at half the white man’s wage, retained their alien clothes, customs, and language, practiced a “heathen” religion, and created distinct, over-crowded, dirty, and often self-contained communities associated with vice and disease.
Comprising more than a fifth of the California labor force in the 1870s, these Chinese newcomers, with their low living standards and servile conditions, were seen as threatening not just the racial definition of the nation, but the American way of life—the prevailing standard for what it meant to be a free white man—and, ultimately, white civilization.
In such a situation, white solidarity was paramount—which meant that, in face of the Yellow Hordes, religious differences dividing Protestant natives and Catholic immigrants in the antebellum period had to be superseded.
Accused of cheapening labor and introducing foreign elements in the East, the Irish were now welcomed into California nativist ranks—as whites facing a common threat—and, accordingly, they came to play a leading role—perhaps the leading role—in spearheading the trade-union, political, and communal opposition to the Chinese.
The extent of white solidarity in the popular classes was such that it spurred numerous official and unofficial measures to restrict Chinese participation in the economy and in other realms of American life.
As early as the 1850s, local and state laws were passed to limit the type of jobs the Chinese could work, the land they could own, and the schools their children could attend, while white, especially Irish, workingmen not infrequently resorted to violence to drive them from certain trades and neighborhoods. In mining, logging, and construction, the Chinese were forced out entirely and in numerous small towns throughout California and the Northwest, Chinese communities were abandoned in face of angry white mobs.
Then, in the late 1870s, in a period of economic crisis, a Workingmen’s Party, led by an Irish demagogue, Denis Kearney, was formed in San Francisco.
Its principal slogan was “The Chinese must go.”
Supported by a mass network of “anti-coolie clubs” and trade unions, the party became the chief vehicle for the cause of Chinese exclusion.
The state organization of the two established national parties, the Democrats and the Republicans, each, for the sake of appeasing the pervasive anti-Chinese sentiment the Workingmen represented, were forced to support its exclusionist policies.
But more than transcending religious and political differences between closely related whites, the Chinese exclusion movement took aim at those large-scale corporate interests (primarily the railroads) responsible for importing Chinese contract labor and using it as leverage against white workers.
In frequent sand-lot demonstrations and in broadsheets, the movement, buttressed by large crowds of male workers, warned the monied men of Judge Lynch, targeting not just alien, but native threats to the nation’s bioculture.
Its slogan—“We want no slaves or aristocrats”—was an “egalitarian” affirmation of the existing racial hierarchy, and of the right of white men to the ownership of the land their people had conquered and created.
The movement’s achievements were momentous. For the first time in modern history, national legislation (to supplant the less effective immigration law of 1790) was passed to prevent non-whites from entering the United States and preventing those already within its borders from setting down roots.
White workers, supported by their trade unions, workingmen associations, and other organized expressions of white power, succeeded in frustrating capitalist and official efforts to change the country’s demographic character. White racial solidarity, at this stage, triumphed over those differences that stemmed from the religious wars of the Reformation.
Racially consciousness, populist, and at times anti-capitalist, the anti-Chinese movement of the 1870s (whose spirit, incidentally, lived on in the national-socialist novels of Jack London) succeeded in preserving the American West as a white Lebens-raum. As I see it (and I see it from both from an Irish and American perspective), it represents the single greatest movement of White America
The third great formative influence affecting the shape of American racial nationalism—though a step back from the anti-Chinese movement—came during the First World War.
The Ku Klux Klan, which had emerged after Appomattox to defend Southern whites from Negro aggression and the Yankee military occupation, was re-organized in 1915 to address certain changes in American life.
Like the European fascist movements of the interwar period, this “Second Klan” constituted a mass populist reaction to the war’s radical cultural/social dislocations.
The war had imbued the central government with unprecedented powers, enabling it to encroach on local communities in ways previously unknown; the recently founded Federal Reserve, in charge of the money supply, and the growing influence of Wall Street and the great corporations assumed an influence in national life that seemed to come at the expense of independent entrepreneurs and “the little men.” At the same time, the war effort assaulted the existing racial, familial, and moral hierarchies.
Blacks in this period acquired a foothold in northern industries and discharged Negro soldiers, “after having seen Paris,” were no longer willing to tolerate their caste status. The year 1919 was accordingly one of unprecedented racial violence, as Negroes challenging the existing system of race relations set off bloody riots in 26 urban centers.
In the same period, the middle-class family came under attack. Suffragettes carried the day with the 19th Amendment, a “new women,” promoted by advertisers and by Hollywood, questioned conventional “gender” relations, divorce rates suddenly shot up, and children were increasingly exposed to anti-traditionalist influences.
Finally, there was the specter of Bolshevism, which appealed to the unassimilated communities of recently arrived Eastern and Southern European immigrants (only 10 percent of the CPUSA membership could speak English by the mid-1920s) and assumed a menacing form in the great industrial conflicts that swept up more than a fifth of the national workforce.
On every front, then, it seemed as if small-town, rural, and middle-class White America was in retreat.
But not before making a last—and, for a generation, successful—stand in its defense, for within a decade of its founding, the Klan had rallied 5 million members to its ranks, penetrating local and national power-structures as few other anti-liberal movements in US history.
Comprised of white, native-born, anti-immigrant, anti-Catholic, and anti-Jewish elements, particularly in the South and the Midwest, this “Second Klan” saw itself as an “army of Protestant Americans.” As such, it sought to defend “pure Americanism, old-time religion, and conventional Protestant morality”—in the process reviving those religious issues that had earlier divided whites along sectarian lines (like in the 1850s), yet at the same time attempting to preserve the hegemony of Anglo-Protestants against the forces seeking to subvert the nation’s historic ethnic core.
To the degree the Klan was more sectarian than racial, favoring the conformist, materialist, and philistine elements in American life, it was a step back from the white consciousness of the anti-Chinese movement. (A similar phenomenon occurred after the Second World War among recently assimilated, often Catholic, immigrants, whose support for Joseph McCarthy was part of a more general effort to demonstrate that the “Americanism” of the “old immigrants,” largely Irish and German, was superior to that of the established but liberal and cosmopolitan Anglo-Protestant elite).
The Klan (like McCarthyism) was nevertheless not entirely the “reactionary” movement that academic historians make of it, for like its European counterpart, it was both traditionalist and populist, favoring measures that were anti-liberal, anti-cosmopolitan, and anti-egalitarian in spirit but by no means regressive.
In this capacity, it forced the government to close the border to immigration, it beat back the black assault on white hegemony, it let the wheeler-dealers in Washington and New York know that their “progressive policies” would not go unchallenged in the Heartland, and it acted as a moral bulwark against the permissive forces of Hollywood and Madison Avenue.
Above all, it upheld a racial standard for American existence.
Only in the late 1920s, after successfully preserving many traditional areas of American life that might otherwise had succumbed to the race-mixing modernism of the postwar “Jazz Age” did the movement finally subside in face of the economic breakdown of the 1930s.
* * *
The history of American racial nationalism, as exemplified by the Second Klan, the Chinese exclusion movement, and the early nativists, is a history whose legacy has, in the last half century, been squandered and suppressed by the elites now controlling American destinies.
Yet this is the legacy that the heirs of European-America today, if they are to survive, need to reclaim.
For this history confirms them in their belief that the popular classes in America have always rejected the creedal definition of the nation; that they refused to allow their society and territory to be overrun by non-whites; and that divisive sectarian issues (between Protestants and Catholics, leftists and rightists, modernists and traditionalists, etc.) served only the interest of their enemies.
Most of all, this heritage of American ethnonationalism calls on whites today, in this era of their dispossession, to defend the racial-cultural-civilizational “nation” to which they once belonged and which, if regained, might again distinguish them from the world’s less favored races.
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Décidément, l’époque est à la suspicion tout azimut. La mort d’Oussama ben Laden n’échappe pas à la règle. Complotistes contre anti-complotistes, une nouvelle fois. Il est néanmoins certain que la décision du président Barack Obama de ne pas diffuser de photos du cadavre du fondateur des réseaux terroristes Al-quaida renforce les querelles à la fois sur les circonstances de son exécution… et sur la réalité de celle-ci. À part les déclarations sur fond d’affirmation péremptoire des autorités américains, rien ne prouve en effet qu’il s’agisse bien de l’ennemi mondial numéro 1. Un cadavre dont on s’est débarrassé immédiatement, pas de photos, rien… La parole yankee, à prendre ou à laisser.
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Officiellement, c'est à Paris le 19 mars et non à Washington qu'a été prise la décision de mener contre la dictature libyenne des opérations de guerre. Officiellement encore, c'est à Londres et non à Washington que ce 28 mars, on a justifié cette ingérence en faveur des rebelles qui piétinent au même moment devant Syrte. On y a donc reconnu comme pouvoir légitime un Conseil national de 33 membres, aux identités discrètes..jpg)
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Most of my readers would agree that the West’s modern political correctness regarding race and gender is an insult to the intelligence of anyone who has given any thought to human nature and its evolutionary source. So the triumph of the PC ideology needs an explanation. With regards to feminism, Steve Moxon thinks he has an answer. In The Woman Racket, he looks to evolutionary psychology to shed light on our prejudices and documents how they lead to misperceptions about the sexes and how that in turn leads to failed policy.
shows us that evolution in civilized societies can happen very quickly. Each generation of Westerners is going to be less intelligent, less responsible, and less moral the longer the welfare state and feminism survive.
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Es war kurz vor Weihnachten. US-Präsident Obama durfte seinen letzten Auftritt als »starker« US-Präsident absolvieren, bevor mit Jahreswechsel Senat und Repräsentantenhaus in neuer Zusammensetzung zusammentreten, die ihn vollends zur lahmen Ente degradiert.
James O’Meara on Henry James & H. P. Lovecraft
The Lesson of the Monster; or, The Great, Good Thing on the Doorstep
James J. O'Meara
Ex: http://www.counter-currents.com/
We’ve been very pleased by the response to our essay “The Eldritch Evola,” which was not only picked up by Greg Johnson (whose own Confessions of a Reluctant Hater is out and essential reading) for his estimable website Counter-Currents, but even managed to lurch upwards and lay a terrible, green claw on the bottom rung of the “Top Ten Most Visited Posts” there in January.
Coincidentally, we’ve been delving into the newer Penguin Portable Henry James
, being a sucker for the Portables in general, and especially those in which a wise editor goes to the trouble of cutting apart a life’s work of legendary unreadability and stitching together a coherent, or at least assimilable, narrative, for the convenience of us amateurs, from Malcolm Cowley’s first, the legendary Portable Faulkner
that rescued “Count No-Account,” as he was known among his homies, to the recent Portable Jack Kerouac
epic saga recounted by Ann Charters.
The “new” Portable Henry James attempts something of the sort (as opposed to the older one, which was your basic collection) by recognizing the impossibility of even including large excerpts from the “major” works, and instead gives us some of the basic short works (Daisy Miller, Turn of the Screw, “The Jolly Corner,” etc.) and then hundreds of pages of travel pieces, criticism, letters, even parodies and tributes, as well a a list of bizarre names (Cockster? Dickwinter?) and above all, in a section called “Definition and Description,” little vignettes, often only a paragraph, exemplifying the Jamesian precision, a sort of anthology of epiphanies, the great memorable moments from “An Absolutely Unmarried Woman” to “An American Corrected on What Constitutes ‘the Self’” from the novels, and similar nonfiction moments from James’ travels, such as “The Individual Jew” to “New York Power” to “American Teeth” and “The Absence of Penetralia.”
The latter section in particular is part of a defense which the editor seems to feel needs to be mounted in his Introduction, of the Jamesian “difficult” prose style (as are the collection of tributes, including the surprising, to me at least, Ezra Pound).
I bring these two together because I could not help but think of ol’ Lovecraft himself in this context. Is Lovecraft not the corresponding Master of Bad Prose? As Edmund Wilson once quipped, the only horror in Lovecraft’s corpus was the author’s “bad taste and bad art.”
One can only imagine what James would have thought of Lovecraft, although we know, from excerpts here on Baudelaire and Hawthorne, what he thought of Poe, and more importantly, of those who were fans: “to take [Poe] with more than a certain degree of seriousness is to lack seriousness one’s self. An enthusiasm for Poe is the mark of a decidedly primitive stage of reflection”; James may even have based the poet in “The Aspern Papers,” a meditation on America’s cultural wasteland, on Poe. However, his distaste is somewhat ambiguous, as compared with Baudelaire, Poe is “vastly the greater charlatan of the two, as well as the greater genius.”
For all his “better” taste and talent for reflection, it’s little realized today, as well, that James’s reputation went into steep decline after his death, and was only revived in the fifties, as part of a general reconsideration of 19th century American writers, like Melville, so that even James could be said to have, like Lovecraft, been forgotten after death except for a small coterie that eventually stage managed a revival years later.
Are James and Lovecraft as different as all that? One can’t help but notice, from the list above, that a surprising amount of James’s work, and among it the best, is in the ‘weird’ mode, and in precisely the same “long short story” form, “the dear, the blessed nouvelle,” in which Lovecraft himself hit his stride for his best and most famous work. (Both “Daisy Miller” and “At the Mountains of Madness” suffered the same fate: rejection by editors solely put off by their ‘excessive’ length for magazine publication.) The nouvelle of course accommodated James’ legendary prolixity.
The editor, John Auchard, puts James’s prolixity into the context of the 19th century ‘loss of faith.’ Art was intended to take the place of religion, principally by replacing the lost “next world” by an increased concentration on the minutia of this one. Experience might be finite, but it could still “burn with a hard, gem-like flame” as Pater famously counseled.
That counsel, of course, took place in the first, then self-suppressed, then retained afterword to his The Renaissance
. René Guénon has in various places diagnosed this as the essential fraud of the Renaissance, the exchange of a vertical path to transcendence for a horizontal dissipation and dispersal among finite trivialities, usually hoked-up as “man discovered the vast extent of the world and himself,” blah blah blah. As Guénon points out, it’s a fool’s bargain, as the finite, no matter how extensive and intricate, is, compared to the infinite, precisely nothing.
Baron Evola, on the other hand, distinguishes several types of Man, and is willing to let some of them find their fulfillment in such worldliness. It is, however, unworthy of one type of Man: Aryan Man. See the chapter “Determination of the Vocations” in his The Doctrine of Awakening: The Attainment of Self-Mastery According to the Earliest Buddhist Texts
.
So the nouvelle length accumulation of detail and precision of judgment, in James, is intended to produce some kind of this-worldly ersatz transcendence. Was this perhaps the same intent in Lovecraft, the use of the nouvelle length tale to pile up detail until the mind breaks?
Lovecraft of course was also a thorough-going post-Renaissance materialist, a Cartesian mechanist with the best of them; when he finally got “The Call of Cthulhu” published, he advised his editor that:
Now all my tales are based on the fundamental premise that common human laws and interests and emotions have no validity or significance in the vast cosmos-at-large. One must forget that such things as organic life, good and evil, love and hate, and all such local attributes of a negligible and temporary race called mankind, have any existence at all.
But as John Miller notes, this is exactly what is needed to produce the Lovecraft Effect:
That’s nihilism, of course, and we’re free to reject it. But there’s nothing creepier or more terrifying than the possibility that our lives are exercises in meaninglessness.
What is there to choose, between the unrealized but metaphysically certain nothingness of the Jamesian finite detail, and the all-too-obvious nothingness of Lovecraft’s worldview?
What separates James from Lovecraft and Evola is, along the lines of our previous effort, is precisely what T. S. Eliot, in praise of James (the essay is in the Portable too): “He has a mind so fine no idea could penetrate it.” Praise, note, and contrasted with the French, “the Home of Ideas,” and such Englishmen, or I guess pseudo-Englishmen, as Chesterton, “whose brain swarms with ideas” but cannot think, meaning, one gathers, stand apart with skepticism. One notes the Anglican Eliot seeming to flinch back, like a good English gentleman, from those dirty, unruly Frenchmen like Guénon, and such Englishmen who, like Chesterton, went “too far” and went and “turned Catholic” out of their love of “smells and bells.”
What Evola and Lovecraft had was precisely an Idea, the idea of Tradition; in Lovecraft’s case, a made-up, fictional one, but designed to have the same effect. But that’s the issue: when is Tradition only made up? For Evola and Guénon, the mind of Traditional Man is indeed not “fine” enough to evade penetration by the Idea; he is open to the transcendent, vertical dimension, which is realized in Intellectual Intuition.
I’ve suggested elsewhere that Intellectual Intuition, or what Evola calls his “Traditional Method” is usefully compared with what Spengler called, speaking of his own method, “physiognomic tact.” I wrote: “A couple years ago I found a passage in one of the few books on Spengler in English, by H. Stuart Hughes, where it seemed like he was actually giving a good explication of Guénon’s metaphysical (vs. systematic philosophy) method. I think it could apply to Evola’s method as well” Hughes writes:
Spengler rejected the whole idea of logical analysis. Such “systematic” practices apply only in the natural sciences. To penetrate below the surface of history, to understand at least partially the mysterious substructure of the past, a new method — that of “physiognomic tact”— is required.
This new method, “which few people can really master,” means “instinctively to see through the movement of events. It is what unites the born statesman and the true historian, despite all opposition between theory and practice.” [It takes from Goethe and Nietzsche] the injunction to “sense” the reality of human events rather than dissect them. In this new orientation, the historian ceases to be a scientist and becomes a poet. He gives up the fruitless quest for systematic understanding. . . . “The more historically men tried to think, the more they forgot that in this domain they ought not to think.” They failed to observe the most elementary rule of historical investigation: respect for the mystery of human destiny.
So causality/science, destiny/history. Rather than chains of reasoning and “facts” the historian employs his “tact” [really, a kind of Paterian "taste"] to “see” the big picture: how facts are composed into a destiny. Rather than compelling assent, the historian’s words are used to bring about a shared intuition.
I suppose Guénon and Co. would bristle at being lumped in with “poets” but I think the general point is helpful in understanding the “epistemology” of what Guénon is doing: not objective (but empty) fact-gathering but not merely aesthetic and “subjective” either, since metaphysically “seeing” the deeper connection can be “induced” by words and thus “shared.”
What Guénon, Evola, and Spengler seek to do deliberately, what Lovecraft did fictionally or even accidentally, what James’s mind was “too fine” to do at all, is to not see mere facts, or see a lot of them, or even see them very very intently, but to see through them and thus acquire metaphysical insight, and, through the method of obsessive accumulation of detail, share that insight by inducing it in others.
To do this one must be “penetrated” by the Idea, Guénon’s metaphysics, Evola’s historical cycles, Lovecraft’s Mythos, and allow it be be generated within oneself. Only then can you see.
Speaking of “penetration,” one does note James’s obsession with “penetralia”; also one recalls the remarkable way Schuon brings out how in Christianity the Word is brought by Gabriel to Mary, who in mediaeval paintings is often shown with a stream of words penetrating her ear, thus conceiving virginally, while in Islam, Gabriel brings the Word to Muhammad, who recites (gives birth to) the Koran. Itself a wonderful example of the Traditional Method: moving freely among the material elements of various traditions to weave a pattern that re-creates an Idea in the mind of the listener. Do you see how Christianity and Islam relate? Do you see?
Finally, we should note that Lovecraft, for his own sake, did get in a preemptive shot at James:
In The Turn of the Screw, Henry James triumphs over his inevitable pomposity and prolixity sufficiently well to create a truly potent air of sinister menace; depicting the hideous influence of two dead and evil servants, Peter Quint and the governess, Miss Jessel, over a small boy and girl who had been under their care. James is perhaps too diffuse, too unctuously urbane, and too much addicted to subtleties of speech to realise fully all the wild and devastating horror in his situations; but for all that there is a rare and mounting tide of fright, culminating in the death of the little boy, which gives the novelette a permanent place in its special class.– Supernatural Horror in Literature, Chapter VIII.
Source: http://jamesjomeara.blogspot.com/