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Das Verdikt über das Unverständliche ist die Rache des Bürgertums an Autoren, von denen, wenn sie einer Erkenntnis folgen, es immer nur jenen Zipfel zu greifen bekommt, der als reine Bedeutung explizit wird. Die fetischisierten Bedeutungen markieren am deutlichsten das bürgerliche Desinteresse an jeder Form von réalisation. Schon dass es Erkenntnisse gibt, ist des Bürgers Sache nicht. Sie stören die Wonne seines Meinens. Die Rache pflegt desto grausamer auszufallen, je bunter der Zipfel war, den der Autor preisgab, je „schillernder“, je mehr zum interessierten Gespräch Anlass gebend, zum Skandal taugend.
Revolution from Above
Alex KURTAGIC
Ex: http://www.alternativeright.com/
Kerry Bolton
Revolution from Above
London: Arktos Media, 2011
The popular imagination conceives Marxism and capitalism as opposing forces, imagining that—obviously—Marxists want the capitalists’ money and capitalists do not want Marxists to take it from them.
Kerry Bolton’s Revolution from Above disproves this notion.
As it turns out, and as many readers probably already know, the Marxist revolutions in the East succeeded in many places thanks to the ample funds supplied to them—consciously and voluntarily—by finance-capitalists in the West.
With access to all the money they could wish for and more, the finance-capitalists in Bolton’s narrative were, and are, primarily motivated by a desire for power, and their ultimate aim was not even more money per se, but the enduring ability to shape the world to their convenience, which translates into a collectivised planet of producers and consumers.
Marxism was useful in as much as it was a materialistic ideology that destroyed traditional structures and values and turned citizens into secular, deracinated wage slaves, irrespective of race, gender, age, creed, disability, or sexual orientation.
Capitalism was useful in as much as it made money the measure of all things and created a consumer culture that ultimately turned citizens into debt slaves, also irrespective of race, gender, and so on.
In this manner, Marxism and capitalism were seen as complementary, as well as a method of pacifying the citizenry: too busy labouring in the factory or in the cubicle, and too befuddled by daydreams of shopping and entertainment during their free time, the citizens of this global order, fearful of losing their jobs and not being able to buy things or satisfy their creditors, are left with little inclination to, or energy for, rebellion.
Bolton explains how the finance-capitalist oligarchy is the entity that truly runs our affairs, rather than the national governments. The latter are either financially dependent, or in partnership, with the financiers and the central bankers.
To illustrate this dependency he documents the United States’ government relationship with the Bolsheviks in Russia during the revolution, not to mention the similarity in their goals despite superficial appearances to the contrary and despite alarm or opposition from further down the hierarchy. Bolton shows how genuinely anti-communist efforts were frustrated during the Cold War. And he shows that the close relationship with communist regimes ended when Stalin decided to pursue his own agenda.
The book then goes on to describe the various mechanisms of plutocratic domination. Bolton documents the involvement of a network of prominent, immensely rich, tax-exempt, so-called ‘philanthropic’ organisations in funding subversive movements and think tanks. Marxism has already been mentioned, but it seems these foundations were also interested in promoting feminism and the student revolts of 1968.
Feminism was sold to women as a movement of emancipation. Bolton argues, and documents, that its funders’ real aim was to end women’s independence (from the bankers) and prevent the unregulated education of children: by turning women into wage-slaves they would become dependent on an entity controlled by the plutocrats, double the tax-base, double the size of the market, and create the need for children’s education to be controlled by the government—an entity that is, in turn, controlled by the plutocrats. Betty Friedan, who founded the second wave of feminism with her book The Feminine Mystique, and Gloria Steinem are named as having received avalanches of funding from ‘philanthropic’ foundations.
With regards to the university student revolts of 1968, the book highlights the irony of how, without the activists knowing it, they were backed by the same establishment they thought to be opposing. These students were but ‘useful idiots’ in a covert strategy of subversion and social engineering.
The subversion does not end there, for the plutocracy has global reach and is as actively engaged in global planning today as it ever was. Revolution from Above inevitably deals with George Soros’ involvement in the overthrow of governments or regimes not to his liking. According to Bolton’s account, the reader can take it for granted that any of the velvet or ‘colour revolutions’ we have seen in recent years have been funded in some way or another by George Soros through his extended network of instruments. ‘Regime-changes’ in Yugoslavia, Georgia, Ukraine (orange revolution), Kyrgyszstan (pink revolution), Tunisia (jasmine revolution), Egypt (white revolution), Lybia (red, green, black revolution), and Iran (green revolution) were not the result of spontaneous uprisings. Anti-government parties, think tanks, media, campaigns, demonstrations, and even training courses for political agitation—all and in all cases received vast funding from finance-capitalism overseas, not from local collections of petty sums.
In other words, many a modern revolution has not come from below, but from above. And in the context of governments being in a dependent relationship to the stratospherical plutocracy, this aggregates into a pincer strategy, with pressure coming secretly from above and from below, with the pressure from below—however spontaneous and ‘messy’ it may seem when it hits the headlines—being the result of years of careful planning, financing, and preparation by overseas elites.
The reader must ask himself how it is that whenever we see one of these ‘colour revolutions’ somehow someone is able, almost overnight, to overwhelm the streets with a tsunami of well designed, professionally printed, and colour-coordinated merchandise: flags, scarves, placards, posters, leaflets, balloons, headbands, t-shirts, face-paint, you name it, it all seems very slick, aesthetically consistent, and fashion-conscious for uprisings that are supposedly spontaneous demonstrations of popular rage.
Overall Bolton crams in an enormous mass of information within 250 pages. The lists of names and figures—and some of the sums involved are truly staggering—are endless, and the persistent torrent of footnotes considerably expand on parts of the main narrative. The plutocrats’ web of influence and deceit is immensely complicated, not only as a structure but also as a process, since it thrives in double meaning, double think, and ambiguity. Those interested in a detailed knowledge of the machinations behind current and recent events, or even twentieth-century political history, would do well to read this book more than once—at least if they have ambitions of explaining it all to an educable third party.
One aspect of Bolton’s narrative that seems quite amazing is the superficially inoffensive tone of some of the enemy quotes provided. Were it not because Bolton’s findings flow in the same direction as other books uncovering the machinations of the oligarchs and their partners in Western governments, or because the answer to cui bono is provided unequivocally by the unfolding of current and historical events, it would be easy to think that the statements quoted came from deluded idealists. It may be that some truly believe in the goodness of their cause, yet such selfless altruism is hard to believe given the known absence of ethics among our current elite of super-financiers—the banking system they engineered, not to mention many of the opaque financial instruments we have come to known through the still unfolding financial crisis in the West, is a deception designed to obscure a practice of legalised theft.
The lessons are clear: firstly, modern ‘colour revolutions’ are not instigated by public desires for more democratic or liberal governance, but by private desires for increased global power and control; secondly, subversive movements can be given a name and a face—a name and a face averse that hides behind generic institutional names and orchestrates world events at the end of a complex money trail; and thirdly, the those seeking fundamental change should first become proficient capitalists or learn how to gain access to them. These are all obvious, of course, but Revolution from Above is less about teaching those lessons than about documenting how the world is run, by whom, and for what purpose. In other words, this is material with which to back up assertions likely to be challenged by, or in front of, the unaware. Sober and factual in tone, it is also good gift material for those who may benefit from a bit of education.
Diana was married to Bryan Guinness when she met Mosley, and soon became his mistress. Mosley’s wife died suddenly of peritonitis in 1933 (though he was plagued the rest of his life that infidelities and political stress might have been the cause). Mosley and Diana were married at the home of Joseph Goebbels in 1936, with Hitler as guest of honor.
Éditorialiste au Financial Times (le journal officiel de la City) et rédacteur au Weekly Standard et au New York Times Magazine, Christopher Caldwell relève du courant néo-conservateur anglo-saxon. Il en remercie même William Kristol, qui en est l’une des têtes pensantes. L’édition française est préfacée par la démographe Michèle Tribalat qui, avec son compère Pierre-André Taguieff, semble ébaucher une sensibilité néo-conservatrice dans l’Hexagone plus charpentée que les guignols de la triste revue Le meilleur des mondes.
Suicide has stirred some controversy in the mainstream media for stating what for many is, or should be, known and obvious, but which for the majority is either not so or taboo: the negative consequences of immigration, diversity, and multiculturalism.
Buchanan is correct to identify the decline of Christianity in America as one of the roots of its decline. In doing so, however, he has Edward Gibbon as his inverse counterpart, for Gibbon identified the rise of Christianity in Rome, that is, the decline of the Roman religion, as one of the causes of Rome’s fall. Gibbon would have sympathised, perhaps, with the statement, ‘When the faith dies, the culture dies, the civilization dies, the people die.’ Yet, given that the fall of Rome did not mean the end of European man, and that if the rise of Christianity was linked to Rome’s fall, the rise of Christianity was also linked to the rise of Faustian civilisation. All this tells us, therefore, is that we may be witnessing the end of a cycle involving Christianity. However, even if it is Christianity’s fate to pass, as have other religions, or to become a ‘Third World religion’, as Buchanan puts it, European man will still be there, at least for a while, and, provided he survives as a race, he will give rise to a new civilisation, traceable to the Greek, the Roman, and the Faustian, but founded on somewhat different principles. This will bring no comfort to Christians, nevertheless, and Buchanan, as a Christian, is justified in his alarm.
and the 
. Tacitus, a senator, is believed to have held the offices of quaestor in 79, praetor in 88, consul in 97, and proconsul or governor of the Roman provinces in “Asia” (western Turkey), from 112–13.
